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Fritz Lang
Known for: DirectingFriedrich Christian Anton "Fritz" Lang (December 5, 1890 – August 2, 1976) was an Austrian-German film director, screenwriter, and occasional film producer and actor. One of the best known émigrés from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States. Lang's most famous films are the groundbreaking science-fiction film Metropolis (1927) - the world's most expensive silent film at the time of its release - and the influential thriller film M (1931), made before he moved to the United States. Lang's work had a significant influence on the film noir genre and in Hollywood, he made some classics himself, such as Scarlet Street (1945) and The Big Heat (1953).
Filmography 45
Metropolis
M
Jeg elskede dig i går
Du lever kun én gang
Spione
Director, Writer
Mens bøddelen ventede
Director
Jeg er loven
Gaden med de røde lygter
Guldfuglen
Den hårdeste straf
Secret Beyond the Door
Director, Producer
Læbestiftmorderen
Hævneren
Director, Screenplay
Kvinden i vinduet
Dr. Mabuse, the Gambler
Dr. Mabuses testamente
The Blue Gardenia
Director
Den trætte død
Frank James vender til bage
Opgør i natten
M
Original story
Ministry of Fear
Director
Huset ved floden
Woman in the Moon
Director, Screenplay
Die Nibelungen: Kriemhild's Revenge
Director
Cloak and Dagger
Western Union
Director
Voyage to Metropolis
as Self (archive footage)
Bødler dør også
Siegfried
Liliom
Director, Writer
Human Desire
Director
Dr. Mabuses 1000 øjne
Det indiske gravmæle I
Director, Writer
The Spiders: Part 1 - The Golden Sea
Director, Writer
Man Hunt
Director
You and Me
Det indiske gravmæle II
Director, Writer
Journey to the Lost City
Director, Screenplay
The Spiders: Part 2 - The Diamond Ship
Director, Writer
Vier um die Frau
Director, Screenplay
Paparazzi
as Self
Bardot et Godard
as Self